Over the weekend, while I was in Nashville, I stopped by one of my old haunts from my college days. Phonoluxe is a used music shop a few blocks from Lipscomb’s campus. It had been years since I’d been there and I had a half hour to kill, so I thought Why not? Surprisingly, they still had some used cassette tapes for sale (do people still listen to those things?). Phonoluxe is a grimy little hole-in-the-wall kind of place with steel bars on the windows, but they have some great cheap music if you’re willing to take the time to search for it. (Matt and I used to joke that you needed to keep one hand in your coat pocket at Phonoluxe, lest you’d have to scratch your face with an “exposed” hand.)
The jewels of my search: two of
Cash’s American Recordings albums I’ve been looking for for years, neither of which are available on iTunes. The first is Cash’s first album with American, aptly titled American Recordings. At the time of its release in 1994, Rolling Stone hailed it as a masterpiece, giving it the rare 5-star rating. It was a return to relevance for Cash who had become something of an afterthought in Nashville, a relic of an earlier time and an older sound. But Rick Rubin introduced the Man in Black to a new generation of listeners and, in the process, helped produce some of the finest music of Cash’s career. Highlights include “Delia’s Gone”, a stirring reflection on life and death and love, and “Tennessee Stud”, a live version of the Southern folks song. My Dad would especially love Cash’s version of “Stud”.
Two years later, Cash reunited with
Rubin for Unchained, a more upbeat collection of songs that drip nonetheless with some of Cash’s favorite themes. It’s almost a shame that Cash’s most recognizable tune from this album is “I’ve Been Everywhere”, not because it’s a bad song, but because there are so many other songs that are stronger. Like the Beck-penned opener “Rowboat” or the liltingly beautiful “Sea of Heartbreak”. The album highlight is Chris Cornell’s “Rusty Cage”, a song of layered and uncategorizable beauty. From the liner notes, “I love songs about horses, railroads, land, judgment day, family, hard times, whiskey, courtship, marriage, adultery, separation, murder, war, prison, rambling, damnation, home, salvation, death, pride, humor, piety, rebellion, patriotism, larceny, determination, tragedy, rowdiness, heartbreak and love. And Mother. And God. Rusty Cage must fit in some of these categories.”
Two incredible albums that you have to own if you’re a Cash fan. The best part of all: they only cost me $8 a piece, unopened at Phonoluxe. They might still have a copy left for you. Just remember to keep your hand in your pocket.
I’m happy that you were able to find these two cd’s! Does this mean that the Christmas music is on hold for awhile?
Ah Phonoluxe, the grossest place on the planet, yet the coolest place as well. Much better than any of the other used stores in town, like The Great Escape or CD Warehouse.You used to take me there, and I never could find anything I wanted, but you would find all the things you wanted.
Lane,I forgot about the Great Escape. In the words of Ben Kenobi, “That’s a name I’ve not heard in a long time.”And Sunny, you can’t slow down my Christmas music. You can only hope to contain it. And you’re to blame, by the way. Stay tuned for my Top 50 Christmas tunes of all time.
JasonI know you have made Dad and Cash very proud!
JC singing Soundgarden. Cool.
You know, every time I hear Johnny Cash on the radio I think of you. OK, I think of Joaquin Phoenix AND I think of you.
Greg,Some of the American Recordings covers don’t work as well (“I Won’t Back Down” for instance), but the darker material Rubin introduced to Cash, like “Rusty Cage” and “Hurt”, are just incredible. Tracy, When I hear Cash, I think of my Dad. But I also get caught up in the narratives. Honestly, Johnny Cash is one of my favorite preachers of all time.
Those were two of the albums that we listened to incessantly when I was at Harding in the mid-late 90’s. One of my favorites is his haunting take on “Why Me Lord.” His cover of Tom Petty’s “Southern Accents” may be better than the original…
Matt,It’s difficult for me to rank the American Recordings albums. My favorite is probably “My Mother’s Hymn Book”. It’s great.