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Nikolaus Zinzendorf:
Preach the Gospel, die, and be forgotten.
LOST Music
One of the things that sets LOST apart from other network series is the brilliant work of composer Michael Giacchino. Giacchino has scored plenty of major motion pictures (Star Trek, Mission Impossible III, The Incredibles), but his best work has been done on LOST.
The Season 5 DVD has a great extra that demonstrates Giacchino’s method of composition. You might think the producers would give him a heads up when it comes to plot points and the direction an episode (or series of episodes) might be heading; you’d be wrong. Giacchnio sees a semi-finished product of an episode and he has no idea what’s going to happen. He watches it as a viewer, just like us. When something extraordinary occurs, he stops and writes music for that scene. It might be a moment of emotional reconciliation that demands a softer set of strings; it might be a tense scene that gets the “jungle” treatment — drums, frenetic string activity, and of course, that signature blaring horn. Whatever the case, Giacchino writes his music as a response to his viewing experience. And the finished product comes to us a few weeks later.
With the finale in view, I’ve been going back and listening to some of my favorite music from previous seasons. Giacchino has written beautiful themes for some of the major characters; from the very beginning, a particular song or musical motif has been associated with each of the major players. And of course, we’re also accustomed to his music montage pieces that provide the closing to some of our favorite LOST moments. If you’re looking for some good music and you’re a LOST fan, you need to go grab these songs from iTunes ASAP:
- Win One for the Reaper – Season 1 Soundtrack. A sparse piano version of one of the show’s earliest and most prominent musical themes. It remains my favorite piece of music from the show.
- Landing Party – Season 4 soundtrack. This is the theme that played when the Oceanic Six finally landed back home. Hurley, Sun, and Jack experienced reunion with their families; no one was waiting for either Sayid or Kate.
- There’s No Place Like Home – Season 4 soundtrack. A similar piece to #2; they make a perfect complimentary pair.
- Locke’d Out Again – Season 1 soundtrack. This is the signature piece from Locke’s initial flashback episode, “Walkabout”. You can’t hear this piece without hearing, “Don’t tell me what I can’t do!”
- Oceanic 815 – Season 1 soundtrack. A six-minute compilation of the major themes found from the show’s rookie season. Beautiful.
- The Constant – Season 4 soundtrack. The musical backdrop for arguably the show’s most emotional moment: when Penny and Desmond reunite via telephone back in Season 4.
- Bon Voyage, Traitor – Season 2 soundtrack. This was the music that played during the dramatic conclusion to the show’s second season: Desmond and Locke’s showdown in the hatch; Hurley, Jack, Kate, and Sawyer being captured by the Others.
- Life and Death – Season 1 soundtrack. Another five-star offering from Season 1.
- Pagoda of Shame – Season 3 soundtrack. This incorporates the theme from most of Sun & Jin’s flashback episodes. It’s probably my favorite one.
- LaFleur – Season 5 soundtrack. The thematic sound of Sawyer’s heroic arc reaching it’s fullness. His embrace of Juliet while this song played as the screen faded to black in “LaFleur” is one of my favorite LOST moments.
- Of Mice and Ben – Season 4 soundtrack. This song is from Season 4’s penultimate episode: Ben walks out of the jungle to confront Keamy; Sawyer and Jack traipse through the jungle to save Hurley; Farraday frantically ferries people to the freighter. I loved how this episode flung our heroes out all over the Island and this piece evokes danger and heroism simultaneously.
- The Good Shepherd – Season 3 soundtrack. This is “going on a walk through the jungle / across the Island” music. Plain and simple.
- Greatest Hits – Season 3 soundtrack. Charlie’s swan song. Slow, but incredible.
- Parting Words – Season 1 soundtrack. The conclusion of Season 1’s raft experiment was set to this piece. Sawyer, Jin, and Michael (with Walt) set off on the high seas to find rescue. This emotional piece highlighted how difficult it was for these castaways to say goodbye to one another.
- Hurley’s Handouts – Season 2 soundtrack. This is Hurley’s piece. It features prominently in many of the more emotional scenes in the series. I especially remember it from the final scene of “Everybody Hates Hugo”.
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Searching
Yesterday, someone found my blog by searching for the following:
jack and david eat breakfast and discuss the concert they’re going to that evening when claire comes in wishing them a good morning. jack gets a call from oceanic saying they located his dad’s missing coffin. it’ll be arriving in los angeles by the end of the day
Sir, not only is that the longest search in history, you have absolutely found the right blog! Glad you’re here!
LOST Season Six: What They Died For
The episode begins in the Sideways world where Jack has another mirror moment. Once again, he finds a peculiar scratch on his neck. Over breakfast, his son, David, reminds him of the concert he’ll be playing that evening. Jack promises to be there and we learn that David’s mother will also be present. It seems pretty obvious at this point that Mom will turn out to be Juliet — at least that’s what I’m hoping for. Jack also gets a cryptic (pun intended) phone call re: his Dad’s coffin. The caller says that the coffin has been located and that it should arrive in Los Angeles by the end of the day. Turns out the caller is Desmond, but given the role he plays in the Sideways world, we should probably assume this information is true. I’m envisioning a post-concert visit to the airport for the good Dr. Shepherd; I imagine his fate (or at least his Sideways fate) will hinge on this visit.
The next scene on the beach shows Jack sewing up Kate, a reversal of the interaction of the scene in the pilot episode where Kate plays doctor to Jack while hearing the “count to five” story. Sawyer, meanwhile, is clearly blaming himself for the deaths of Sun, Jin, and Sayid. I worry that Sawyer’s story might end on a self-destructive note, since I doubt he’ll ever be able to forgive himself — much less live with himself — for the deaths of his friends. Remember, Sawyer is fairly new to this hero business. This is the first time he’s really borne the consequences of making snap decisions for an entire group. The show usually reserves such leadership-scourging for Jack. I love the way Jack tried to encourage Sawyer during this episode, but I think the die has already been cast for how Sawyer’s story will end. I hope I’m wrong, but I think he dies on the Island in some sort of sacrificial way — primarily because he doesn’t believe he deserves to live after what just happened to the sub.
It was nice to see Ben, Miles, and Richard again. (How long have they been trekking across the Island anyway?) Off Island, we witnessed Ben’s moment of “off-Island awareness” as he was being bludgeoned at the hands of Desmond. I’m hoping that this awareness leads to more activity from Ben in the Sideways world. It was nice that Ben hit it off with Rousseau (I really didn’t see that one coming; I didn’t think the actress was able to clear her schedule enough to shoot any scenes for LOST), but I was expecting more in the wake of his Island cognizance. Maybe we’ll see some more of it in the finale.
The scenes in New Otherton were some of the best in this episode. Ben’s expression when Widmore walked into the house was priceless. (Michael Emerson deserves an Emmy for this role. He just keeps getting better and better.) Widmore threatens Ben with this line: “If you shoot me, your last chance of survival is gone.” Turns out Widmore wasn’t counting on Ben’s last resort: siding with Smokey. After neutralizing the ageless Richard Alpert, Locke makes a pitch to Ben: If he helps him leave the Island, MIB will leave Ben in charge. Widmore revealed that he had already lined the plane with C4, so we can connect the dots with the C4 we were shown at the end of “The Candidate” (I had originally wondered if someone else had planted it there).
Then Locke shows up and all Hades breaks loose. I was honestly a little sad to see Richard die such a lame death. At least I think he died. I don’t think Smokey messes around when he tries to kill you. But after his demise, Locke materializes and speaks to Ben. Once more, Locke manipulates Ben to doing his dirty work for him, a task that Ben is all too-willing to sign up for. Of course, Ben is still fixated on one thing — avenging Alex’s death. Widmore spills the beans to Locke about Desmond — a “last resort” — and Ben promptly seizes the opportunity to murder his longtime rival. Emerson’s chilling line read (“He doesn’t get to save his daughter”) was a classic.
Back in the Sideways, Ben had another mirror moment. Following this, he informs Locke that Desmond commented about helping Locke “let go”. Locke understands this as a call to visit Jack and begin the process of surgery. Of course, Jack and Locke banter back and forth about destiny and free will, but the end result is the same: these two agree on what needs to happen next. This is the way it should’ve been on the Island all along. The Sideways world scenes concluded with Kate and Sawyer acting all flirtatious surrounded by cages (flashback, Season 3!), a corrupt L.A. cop named Ana Lucia (flashback, Season 2!), Sayid and Hurley on the run from the law (flashback, Season 5!) and Kate being handed a dress to change into after being handcuffed (flashback, Season 3!). The more things change, the more they stay the same!
Jack’s hero arc is coming to a point of rapid completion. It was no real surprise that he stepped up to answer Jacob’s call, but even though we could see the moment coming a mile away, it still was very fulfilling. Kate voices strong concern that Sun, Jin, & Sayid didn’t die for a lost cause.
Jacob confesses to making a “mistake” — Smokey. Lots of people have been pointing out that last week’s episode didn’t really do Jacob any favors; that the producers gave us a pretty sympathetic view of Smokey based on “Across the Sea” whereas Jacob didn’t get nearly as much play. In doing so, we understand one of the premises of the show: that life may be full of black and white choices, but there are plenty of shades of grey we’re forced to deal with, too. I’ll write more about this later in the week, but the redemption stories we’ve all experienced over the course of this show have demonstrated this clearly. Nobody is as good as they seem on LOST; and really, nobody is as bad as they seem, either.
Jacob’s answer to Hurley’s question, “Why did you bring us here?” was pretty interesting. “I chose you because you were like me. You were all alone. You were looking for something you couldn’t find out there. I chose you because you needed this place as much as it needed you.” I love this line because it acknowledges the distance these characters have traveled in these six years; it’s a nod to the level of investment we’ve made with these characters. And it gives me hope that by tipping their hat to us like this, the producers have a pretty sweet and satisfying conclusion to these stories to share with us.
Of course, the final scene shows us Smokey’s ultimate M.O. Not only is he trying to leave the Island, but he wants to destroy it completely. Not a total shock, given last week’s foreshadowing statement by Mother (“If the light goes out here, it goes out everywhere.”), but it does indicate that his promise to Ben — that when he leaves the Island, he’ll let Ben be in control — is nothing but a lie. I’m hoping this will prompt Ben to reconsider his loyalty to Smokey.
Questions:
Where is Desmond? Could he be at The Source — the center of the Island where “the Light” can be found? Or might he be doing something else — like digging up the body of the real John Locke in anticipation of some sort of Island “rebirth”? What would happen if John Locke’s body were thrown in the same creek
And while we’re at it: Where is Claire? Remember she’s armed. And she now has good reason to want to kill Jack and his crew after they decided to leave her during the Great Sub Get-Away of two episodes ago. I expect her to turn up at the worst possible time.
With Miles running through the jungle, he has to stumble across a dead body that he can glean some info from. But who? Eko? Adam & Eve? Nikki & Paulo? Seriously, that’s the only thing Miles is useful for (other than a few funny quips), so maybe we’ll see something like this in the finale. And did I see it correctly? Did Miles take Richard’s pack with the C4 in it? When Richard was mauled by Smokey, he was NOT wearing his pack. So the C4 has to still be with someone. I think it’s Miles.
Do we believe Widmore when he says Jacob told him how to get back to the Island? I think he’s telling the truth. And I think he has been telling the truth with most everything he’s been saying.
Favorite lines:
Miles: What’s that? A secret-er room?
Ben: It’s where I was told I could summon the monster. That’s before I realized it was the one summoning me.
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Locke: What if….(long pause)…maybe all of this is happening for a reason.
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Hurley (upon watching Jack and Jacob walking off in the distance): I’m just glad it’s not me. (With the way the camera lingered on Hurley there, I wonder if this line is significant for the end game. Maybe Hurley has a major role that only he can fulfill.)
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LOST Season Six: Mother
The more I reflect on last week’s “Across the Sea”, the more it works for me. I still think the dialogue is pretty lame in the scene where Mother explains the light to Jacob and MIB; but otherwise, I think this was a solid entry to the LOST canon. As mythology episodes go, it was certainly jam-packed with reveals. Moreover, I agree with Doc Jensen when he says this episode was intended to spark our imaginations to think about the show’s big picture. I’ll have more to post about said big picture later in the week.
But for now, I wanted to reflect on “Mother” — the character played so aptly by Allison Janney, not the Danzig song. After watching the episode a second time, I think there are several clues that Mother is the Island’s earlier manifestation of the Smoke Monster.
- Remember earlier this season how Locke was going around extending his hand to everyone? When Mother meets Claudia, she extends a hand to help her — a gesture that eventually leads to Claudia’s doom.
- Mother warns Jacob of a fate worse than death for anyone who would journey into the cave near “the light”. Is she speaking from experience? I think so. Although I don’t know how to square that with her role as Island protector.
- I also believe the slaughter of MIB’s “people” is a nod to Mother’s Smokey-ness. I suppose it’s possible she could’ve wiped out an entire clan of seafaring and implement-wielding Romans with her bare hands; I mean, come on, she’s a seamstress! But honestly…I’m pretty sure she Smokey-ed them into oblivion. MIB clearly understands their deaths to be the work of his Mother. (Sidebar: My buddy, Dylan, linked to this interview in the comments, but I’m bringing it here to the main page in case you missed it. Among other things, Cuse and Lindelof tell this interviewer that there is a link between The Purge and Mother’s slaughter of MIB’s camp. This is part of the Island’s repetitious cycle of death and violence.)
- As several people have already pointed out, Mother dies in a manner that is consistent with Dogen’s instruction to Sayid on how to kill MIB. (Although we should also note that her death is also consistent with what MIB told Richard in “Ab Aeterno” re: how to kill Jacob.)
But the question we should ask ourselves is how Mother perhaps also functioned as the Island’s protector prior to Jacob. Could it be that — like Jacob in the years following her death — Mother has been bringing people to the Island, too? Could it be that Mother brought Claudia to the Island specifically because of the “special” children she would give birth to? When Jacob takes the drink Mother offers him, she makes the statement, “Now you’re just like me,” or something to that effect. How is Jacob — as we see him and know him — like Mother?
Also, this guy over at Cultural Learnings brings up an interesting point. He wonders if the Kate / Claire connection (Kate raises Claire’s son, Aaron) is meant to parallel the Mother / Claudia storyline. Not sure how that plays, but it’s something worth pondering.
The good news: even if you hated “Across the Sea”, the producers have been adamant that the show is more about character than mystery. So we’re due for a satisfying resolution to the storylines of our main characters.
Things I Want to Remember: Vol. 8
I always want to remember the way Abby Kate says “chicken parmesan “. We’ll go to Olive Garden and she’ll ask, “Daddy, are you going to order chicken Farmer John?” It cracks me up.
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I also love how Jackson says certain things. He likes to “swush” the toilet; he loves the color “yeyo”; he knows Daddy likes to drink his “foffee”. And I want to soak it all up so I can remember it when he’s older.
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I love hearing my kids pray. The other day, we passed by a firetruck with its siren on. Joshua started asking me about it, if I thought somebody’s house was on fire, stuff like that. Later that night, as we were saying our prayers before bed, Joshua prayed, “God, please take care of the people whose house was on fire. Please help them not be hurt and please help us take care of them.” I’d already forgotten about the fire truck a long time ago, but I love that Joshua had the conviction to 1) remember it, and 2) take it to God. That’s one of those moments I want to remember for a long time.
MLB Thoughts: May 14, 2010
With the new LP from The National spinning, here’s my MLB rundown for this week:
Trey Hillman is the first managing casualty of the new season, having been dismissed yesterday in favor of former Brewer manager Ned Yost. Ironically, it was Hillman who lobbied for Yost to be added as a special advisor this offseason. But unless Yost is bringing four more starters to plug in behind Greinke in the rotation, I doubt it’ll matter much. Too bad for Hillman; he was a stand up dude.
Is there a more clutch player in baseball right now than Andre Ethier? I was at Dodger Stadium last week and they showed a clip of all his walk-off hits from the past couple of seasons. Dude is money with the game on the line. If you’re filling out an early All-Star Game ballot, be sure his name is on it. We might be looking at a Triple Crown season here.
As an aside, there are few ideas born in the mind of man that are better than All You Can Eat Seats. Trust me.
If you buy into run differential (the number of runs a team has either outscored or been outscored by their opponents), then there are a few interesting tidbits in the numbers:
- The Rays have outscored their opponents so far by a margin of 85 runs; the Yankees stand at 66. No other team is above 48. As usual, the two best teams in baseball reside in the AL East. But present day, it’s Yanks / Rays, not Yanks / Sox. As a point of reference, Boston is at -7 in run differential; the Washington Nationals are at -8.
- The NL East and NL West divisions each only have one team with a negative run differential (Washington and Arizona). Conversely, the NL Central only has one team (St. Louis) on the positive side of the ledger. If the Cards don’t win this pitiful division, it’ll be really sad.
- It’s no surprise that the Pirates — thanks to a couple of 20-run stinkbombs — are an MLB-worst -97. It’s also no surprise that Baltimore and Houston are next on the list at -52. The shocker is that the L.A. Angels are right on their heels at -51. Are we seeing the wheels come off in L.A.? Could the losses of Lackey, K Rod, Vlad, Tex, et al over the past few offseasons finally be catching up to this club? It’s still early, but things have not looked good for this perennial division champ.
Don’t look now, but the Padres and Twins are tied with the Yankees for the second-best record in the majors. The Twins seem to be flying under the radar right now, but a good showing in their weekend series against the Bronx Bombers could change all of that. They’re first in the AL in batting average, second in ERA and OBP, and 3rd in WHIP and OPS. Francisco Liriano finally looks like himself after an up-and-down ’09 campaign. Justin Morneau also looks to be fully recovered from the back issues that felled him late last year. As for the Padres, I keep waiting for the clock to strike midnight on this Cinderella story. But so far, it’s been a dominant pitching staff that has carried them to the top of the NL. 1st in ERA, 1st in WHIP, 2nd in Batting Average Against, 2nd in OPS Against…sure, it’s been a nice run. But remember that Safeco is a pitching haven; these ridiculous pitching numbers are going to come back to earth and when they do, this team won’t have the offensive firepower to overcome it. This has been a nice little story, but expect it to end very soon.
Posted in Baseball, Sports
Tagged Andre Ethier, Kansas City Royals, Minnesota Twins, San Diego Padres
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LOST Season Six: Across the Sea
This episode was something of a mixed bag for me. There were elements that I thought were really cool; and there were probably an equal number of moments that were….well, hokey. (Light? That’s it? Seriously?) But hey, we only have 210 minutes of show left, so let’s roll with it. I just hope the final couple of episodes live up to my ridonkulous expectations. On to the breakdown…
Here’s what worked for me:
- Risk taking. I love the fact that the producers had the guts to bench the entire cast of regulars — with only three and a half hours of show remaining!! — to give us this essential piece of mythology. Whether you loved or hated this episode, you have to give Darlton props for going for it in a big way.
- The near-Biblical twin birth backstory. Fans have long conjectured that MIB and Jacob are two halves of a whole and this episode confirmed this notion. Now we finally understand the “Evil Twin” references from seasons gone by. I loved this motif — and it has nothing to do with the fact that I’m a father of twins myself. It gave the whole backstory an epic flavor for me.
- MIB. This guy is quickly becoming one of my favorite characters in the LOST canon. I know I’m not supposed to root for the bad guy and everything, but he’s just so much more interesting than Jacob. I wish we could’ve learned his real name, but I guess that’s nitpicking. Did you notice that he was told, at a young age, how “special” he was? This, of course, parallels the life of John Locke, who was told of his “special” qualities at an early age only to live a relatively normal existence prior to the crash of Oceanic 815. All of which makes Locke an easy target for manipulation, according to MIB.
- Allison Janney. Perfect casting. In fact, the role was literally written for Janney. I’m glad she had time in her schedule, because she was spot on as Jacob / MIB’s wacka-doodle surrogate Mommy. After all the Daddy issues this series has explored (seriously, practically every castaway has some kind of problem with their Dad), it was nice to balance that out with some crazy Mom shenanigans. I don’t know what that crazy incantation was that she spoke just before Jacob drank his little milkshake, but I’m guessing she bestowed some kind of gift of eternal life or something to him. And did you get the impression that she had the ability to be Smokey herself, judging by the way she apparently cleaned house over at Chez MIB? I’m wondering if MIB followed in Mama’s footsteps (smokesteps?) when he became a pillar of death. By stabbing her in the chest with the blade, I suppose we’re supposed to see the correlation between her death and Dogen’s instruction to Sayid on how to kill Smokey. And her dying words — “Thank you!” — seemed to indicate that he somehow freed her from her existence. I loved her line: “Every question I answer will just lead to more questions.” That’s a clear nod to the show’s long running critique by the fan base.
Here’s what didn’t work for me:
- Jacob. Am I the only one who thought Jacob came off as a boring little Mama’s boy in this episode? I guess he showed some backbone by whipping MIB a couple of times, but I don’t know…it just seemed like he was always trying too hard for his mother’s approval. That kind of behavior is a little unbecoming for a benevolent Island deity, don’t you think? And what’s the significance of the fact that MIB can see the dead but Jacob cannot?
- Light. I’m still not sure that Crazy Momma Lady knew what she was talking about with all the “light” mumbo-jumbo. But I honestly could’ve done without this strained, contrived dialogue. The producers have always encouraged us to embrace the mysterious over full-bodied explanations of said mysteries. And I get how they were trying to give us an answer that somehow made sense re: the nature of the Island without crossing over into a laborious Neo & the Architect conversation. I really get that. But this effort just didn’t work for me. Normally Dalton pulls this kind of thing off quite deftly; but I think this one fell flat, especially the whole thing about “this light is inside every man” or whatever. Not a terrible explanation, just a tad hokey, that’s all. Although, I sorta liked the global impact of what happens if the light goes out: “It goes out everywhere.”
- Adam and Eve. We were told a long time ago that the Adam & Eve corpses from Season 1 were very important. Check. But we were also told that the revelation of their identities would prove that the producers have known what they were doing all along. Huh? For the life of me, I can’t see how this is true. The fact that Adam & Eve = Smokey & Crazy Mama proves nothing. I guess from a certain point of view it proves that the producers knew that Smokey was the disembodied soul of Jacob’s brother all along. I guess. But I was expecting a lot more out of that reveal.
Some other thoughts:
- Apparently Smokey constructed the Frozen Donkey Wheel after “Jacob’s brother” died, presumably as a means to leave the Island. But obviously, he’s unable to use it.
- The kids we’ve seen running through the jungle. I’m still confused. We’ve seen two boys. Are they both Jacob? Or is the second one MIB? I’m inclined to think the second one was MIB, but I have no idea what that means.
- I’m struck with how many times we saw MIB and Jacob playing their “game”. Clearly we’re meant to draw the parallel to their little Island game with human pawns to demonstrate the nature of humanity.
- Did you catch the line of dialogue Crazy Mama spoke that becomes MIB’s mantra later on: “They come, they fight, they destroy, they corrupt…it all ends the same.” It seems that he adopts his mother’s worldview in light of her death.
- I noticed this when watching, but I didn’t know what to make of it. But one blogger wrote that the light looked much dimmer at night when Mama and Jacob went to see it; the speculation is that the light might be growing dim because the mother is tired and perhaps knows her fate.
LOST Season Six: Widmore
Sidebar: There’s probably going to be a lot of LOST chatter going on here at the blog over the next few weeks. Hard to believe that this great show will be going off the air in less than two weeks. In the meantime, I’ll be breaking it all down; I’m even preparing my “what it all means” theory of the show which I’ll be posting soon.
In the meantime, I’ve been reflecting on last week’s incredible entry, “The Candidate”, which I have a feeling may go down as one of the all-time greats in series history. But during a careful rewatch this evening (over a bowl of Chocolate Cheerios, I might add), I noticed something about Widmore and his crew: they’re wusses. We’ve already heard Zoe blathering on about how she’s a geologist (or something), not a mercenary. In “The Candidate”, Sawyer refuses to get in the polar bear cages and — at will — jerks the firearm away from “dough boy” (who later becomes Locke’s late night snack). If Widmore was really going to “war” with Smokey, wouldn’t it stand to reason that he’d bring tougher hench-persons? I mean, this is the same guy who had Martin Keamy in his employ at one time. He knows shady. And yet now, with so much on the line, he comes to the Island armed with Mickey’s Fire Brigade?
I’m starting to wonder if Widmore isn’t somehow in cahoots with MIB. Without Widmore’s presence, Locke could’ve never pulled the long con he pulled on the castaways, convincing them to hop aboard Chuck’s sub. He also uses Sawyer’s knowledge of the cave and its crossed out names to get our favorite rogue to lay down his guns in order to preserve Kate’s life (a theme that never gets old in the writer’s room, I guess). How would Widmore know that such an argument would have any bearing on Sawyer? How would Widmore know that Sawyer had been to the cave anyway unless MIB has somehow communicated this to him?
Maybe there’s a way to explain this that I’m not seeing. And of course, you had that whole conversation between Locke and Widmore earlier this season — I forget which episode — where they basically stare at each other by the pylons and talk about the war that’s coming to the Island. But maybe that was for show. Maybe that was all a part of the long con. Don’t forget: Widmore was the one who found John Locke when he left the Island and teleported out to Tunisia. It was Widmore who gave Locke the resources to try and get the band back together for an Island reunion tour. It was Widmore who set into action the chain of events that led to John’s eventual murder, a crucial part of MIB’s plan to find a loophole in order to kill Jacob and leave the Island. As the series winds down, all of this points to Widmore as a possible cohort to the Man in Black.
Of course, I could be wrong. I’m sure tomorrow night’s episode will reveal Widmore as the good guy who’s been pulling the strings all along or something.
Book Review: The Naked Gospel
Disclosure: This book was provided to me free of charge by The Ooze Viral Bloggers.
I recently received a copy of Andrew Farley’s book The Naked Gospel: The Truth You May Never Hear in Church. The back jacket alone was enough to pique my interest:
Jesus plus nothing. 100% natural. No additives. It’s the truth you may never hear in church. The Naked Gospel is a chapter-by-chapter assault on the churchy jargon and double-talk of our day. It puts forth a message that is simple but life changing. With a fresh take on Scripture and an unapologetic style, The Naked Gospel will challenge you to reexamine everything you thought you already knew.
Jesus plus nothing? An assault on churchy jargon? Be prepared to reexamine everything you think you know? Understandably, I was stoked about reading this book.
In the end, the book failed to deliver on the back jacket’s promises.
The Naked Gospel is a good — not great — read. Farley’s primary conviction is to purge legalism — in all its forms — from the Christian faith. The author aims to do this by demonstrating the ineptitude of the “Old Covenant” and the complete superiority of the New Covenant founded by Christ. Beginning with his own upbringing, Farley confronts the myriad paths we seek to earn our salvation by adding something (evangelism, Bible study, prayer, etc.) to the Jesus = Salvation equation. But, as the bold font on the jacket flap declares, the “naked gospel” is Jesus + nothing.
What’s surprising, then, is how much of an emphasis Farley places on the words of the NT epistles. Farley posits that most of Christ’s teachings were addressed to “Old Covenant” thinkers and the purpose of these teachings was to demonstrate to the people their need for a Savior. This diminishes the teachings of Jesus — in particular, the Sermon on the Mount — as archaic and mostly irrelevant to Christian experience; conversely, it elevates the NT epistles as the clearest representation of Gospel-life.
And this is where I fundamentally disagree with Farley. I would argue (vehemently, in fact) that Christ stands as the full revelation of God’s will (Col. 1.19). Christ stands in tremendous continuity with the OT law and prophets; in fact, He claims to be their embodied fulfillment (Matt. 5.17). Farley never deals with this in a satisfactory manner, instead building a case for the inferiority of the Old Testament covenant. For the author, the gravity point in Scripture is found in the NT epistles (in particular, the book of Hebrews). But this is yet another point where I disagree with Farley. I understand Christ as inaugurating the Kingdom reign of God through His ministry (Matthew 4.17; Mark 1.15). Jesus himself claims that His teaching regarding the Kingdom of God is “good news” (Luke 4.43), the very reason He was sent by God. For Farley, the only portion of Scripture that seems important is the material that takes place after the resurrection. (Nevermind the fact that the Gospels were written AFTER the resurrection.)
This is not to say that the text is without benefit. Farley demonstrates the sufficiency of Christ’s death to bring about reconciliation and atonement for those who believe. Readers will come away with a renewed understanding of the nature of the New Covenant. And Farley’s honesty about his own struggles with legalism are helpful and they give the rest of his arguments an air of authenticity. But these merits must be held in tension with what I would consider to be considerable weaknesses to Farley’s presentation of the Gospel.
Posted in Books, Gospel, Jesus
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